Proverbs of Hell

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Reddragon[1] William Blake-The Great Red Dragon and the Woman Clothed in Sun 1805-1810 William Blake was possessed by a strange genius. A combination of painter, poet and prophet, no other artist manages to convey such visionary intensity as Blake. All his life Blake experienced visions of angels and apparitions, one of which, The Ghost of a Flea (see below), he was persuaded to paint by his friend the painter-astrologer John Hayley. He also claimed that his writing was directly inspired by outside agencies as the following quote illustrates, Thirteen years ago I lost a brother, and with his spirit I converse daily and hourly in the spirit, and see him in my remembrance, in the region of my imagination. I hear his advice, and even now write from his dictate.

Central to Blake’s work is The Marriage of Heaven & Hell, which contains a distillation of his revolutionary philosophy in the 

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Dreams of Desire 56 (Bob Carlos Clarke)

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89[1] Bob Carlos Clarke-Vanessa and Vicky Kissing 2002 Born into a fading aristocratic dynasty in Cork, Ireland, Bob Carlos Clarke was frequently referred to as ‘Britain’s answer to Helmut Newton’  (see Dreams of Desire 55 (Helmut Newton) for his provocative nude portraits which often featured the subjects wearing rubber and latex and involved in scenes suggestive of sado-masochistic ritual. Along with Newton he is the best exemplifier of what was known disparagingly as ‘porno-chic’.

After an unhappy childhood spent in boarding school in England Clarke had a hard time re-adjusting to 60’s Ireland, as he wryly noted in the introduction to his book Shooting Sex  (2002), “The first decade was OK, but later it was no place for a libidinous adolescent, particularly a withdrawn Protestant boy in a land where all the hot talent was Roman Catholic and strictly off-limits” and he moved to England in 1970 where he became…

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The Process of Perfection

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6151356029_6c17fa6574_b[1] Etant Donnes: 1 La Chute D’Eau 2 Le Gaz D’Eclairage-Marcel Duchamp (1946-1966) After WWII the enigmatic Marcel Duchamp, arch avant-gardist and art world provocateur was widely have believed to have turned his back on art to dedicate himself to competitive chess. However for the next twenty years Duchamp would work in secret on his tableauEtant Donnes: 1 La Chute D’Eau 2 Le Gaz D’Eclairage (Given: 1 The Waterfall 2 The Illuminating Gas), it was to be his finalwork. The tableau was only installed after Duchamp’s death in 1968 in the Philadelphia Museum of Art.

It immediately caused a sensation. The tableau is only visible through two tiny peep holes which presents a mysterious scene whose meaning remains elusive. In the foreground against the painted sylvan landscape is a naked female (comprised of parchment, hair, glass, paint, cloths-pegs, and lights). Her head is hidden, all that is visible above…

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Tehran increases its support for Assad

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IRAN 24/07

Tehran’s responses to the US attack in Syria give us an insight into the multi-level politics involved.

Together with Moscow, Tehran accused the US of crossing red lines and threatened that in the future they will respond to such attacks “with all means that we have”. They also referred to the American attack as an act of invasion. In addition, Rouhani accused the US of “abetting Syrian terrorists“. All to be expected but what Tehran and Moscow managed to ignore are the millions of Syrians who celebrated the US attack and aren’t “terrorists”.

Rouhani continues to maintain full support for Assad despite the accusations that Assad may be behind the chemical attack and immediately blamed “terrorist groups“. But Rouhani has to rethink his support for Assad.

Despite overwhelming evidence, including eye witness accounts, independent media reviews and analysis, Syrian victim reports, medical staff descriptions,

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